About the topic: This talk examines the organizational roots of disaster.  Using the 2009 Fort Hood terrorist attack as a case study, she explores why the Defense Department and FBI were unable to stop a self-radicalizing terrorist within the Army who was openly espousing his beliefs, failing to perform his duties, and known, nearly a year before the attack, to be communicating with Anwar al-Aulaqi.  In publicly released investigations of the attack, much attention has been paid to political correctness and failures of individual leadership. She finds, by contrast, that fundamental aspects of organizational life -- the structure of organizations, the incentives influencing employees' choice of tasks, and the cultural norms that color "how things are done around here" --- played a crucial and overlooked role.  Organizational weaknesses, not human ones, were the root cause of disaster.

About the Speaker: Amy Zegart is an affiliated faculty member at CISAC and a senior fellow at the Hoover Institution.  Before coming to Stanford, she served as professor of public policy at UCLA’s Luskin School of Public Affairs and as a fellow at the Burkle Center for International Relations.  She is the author of two award-winning books. Flawed by Design, which won the highest national dissertation award in political science, and Spying Blind, which won the National Academy of Public Administration’s Brownlow Book Award.

Zegart was featured by the National Journal as one of the ten most influential experts in intelligence reform.  Her commentary has been featured on national television and radio shows and in the New York Times, the Washington Post, and the Los Angeles Times.

About the topic: Mr. Painter will discuss the cyber threats we are facing, and U.S. diplomatic efforts to achieve an open, interoperable and secure cyberspace.

About the Speaker: Christopher M. Painter has been on the vanguard of cyber issues for twenty years.  Most recently, Painter served in the White House as Senior Director for Cybersecurity Policy in the National Security Council Staff.  During his two years at the White House, Painter was a senior member of the team that conducted the President's Cyberspace Policy Review and subsequently served as Acting Cybersecurity Coordinator. He coordinated the development of a forthcoming international strategy for cyberspace and chaired high-level interagency groups devoted to international and other cyber issues.

He began his federal career as an Assistant U.S. Attorney in Los Angeles where he led some of the most high profile and significant cybercrime prosecutions in the country, including the prosecution of notorious computer hacker Kevin Mitnick.  He subsequently helped lead the case and policy efforts of the Computer Crime and Intellectual Property Section in the U.S. Department of Justice and served, for a short time, as Deputy Assistant Director of the F.B.I.'s Cyber Division.  He is a graduate of Stanford Law School and Cornell University.

About the topic: A major challenge faced by President Obama is how to modernize the system of global governance to adapt to the rising influence of emerging powers and to more effectively address new, cross-cutting challenges. The Obama Administration has pursued a variety of strategies in this respect from the reform of existing institutions to the creation of new multilateral processes and mechanisms. How effectively these efforts are working - and to what extent these institutions actually change the behavior of states - remains an open question. Drawing on his experiences at the National Security Council, Weinstein will discuss the Obama Administration's approach to global governance, and in particular the efforts of the Administration to shape a more effective anti-corruption regime internationally, through the G-20 and the creation of the Open Government Partnership.

About the Speaker: Jeremy Weinstein is Associate Professor of Political Science and Senior Fellow at FSI.  He serves as director of the Center for African Studies, and is an affiliated faculty member at CDDRL and CISAC.  He is also a non-resident fellow at the Center for Global Development in Washington, D.C.

From 2009 to 2011 he served as Director for Development and Democracy on the National Security Council staff at the White House.  He played a key role in the National Security Council’s work on global development, democracy and human rights, and anti-corruption.  Among other issues, he also was centrally involved in the development of President Obama’s Policy Directive on Global Development and associated efforts to reform and strengthen USAID, promote economic growth, and increase the effectiveness of U.S. foreign assistance; led efforts to develop a robust international anti-corruption agenda, including the creation of the G-20 Action Plan on Anti-Corruption, the Open Government Partnership, and played a significant role in developing the Administration’s policy in response to the Arab Spring, including focused work on Egypt, Tunisia, Bahrain, Syria, Yemen, and others. 

This talk presents an unconventional look at the creation of a deadly barrier between East and West Germany.  It reveals how the Iron Curtain was not simply imposed by communism, but had been emerging haphazardly in both East and West long before the construction of the Berlin Wall in 1961.  From the end of the Third Reich, ad hoc enforcement of the tenuous border between the two Germanys led to the creation of difference where there was no difference, institutionalization of violence among neighbors, popular participation in a system that was deeply unpopular--and people normalizing a monstrosity in their midst.

Edith Sheffer is assistant professor of Modern European History at Stanford. Edith Sheffer came to Stanford as an Andrew W. Mellon Fellow in the Humanities in 2008 and joined the History Department faculty in 2010.  She recently completed Burned Bridge: How East and West Germans Made the Iron Curtain, and was the winner of the 2011 Fraenkel Prize, awarded by the Wiener Library Institute of Contemporary History, London. 

Co-sponsored by The Europe Center (TEC), the Center for International Security and Cooperation (CISAC), the Center for Russian, East European & Eurasian Studies (CREEES) and the Department of German Studies

Event Summary

Professor Sheffer's presentation includes a social history of the Iron Curtain during the Cold War. She examines the process by which culturally homogenous populations internalized ideas of difference, and erected arbitrary physical and mental borders accordingly. She argues that the Iron Curtain was a "wall of the mind" reinforced not only by Communist authorities but by the everyday actions of ordinary Germans. 

Professor Sheffer first outlines her recent book, Burned Bridge: How East and West Germans Made the Iron Curtain. Drawing on archives, news stories, and personal interviews with people from East and West Germany, she argues that the Berlin Wall was simply a visible manifestation of an existing rift within the country that had been building for 16 years.  She examines the process of institutionalization of difference, by which people living in a once-cohesive community with no stark religious or cultural differences began to view those on the opposite side of an arbitrary border as "other." Professor Sheffer offers several explanations for why Germans largely accepted the divide, including the gradual internalization by individual citizens, on both sides of the wall, of what Sheffer describes as "the living wall" and a "wall in the head formed by a wall on the ground."  The fact that the wall was a structural response to a social set of conflicts can explain why it both went up and came down so quickly, as the result of many small steps and individual actions.

The Film's Mission

This film is meant to be a wakeup call for humanity, to help develop an understanding of the realities of the nuclear weapon, to explore ways of presenting the answers for “a way beyond” and to facilitate a dialogue moving towards resolution of this Gordian knot of nuclear weapons gripping the world.  The documentary’s characters are the narrative voices, interwoven with highly visual sequences of archival and contemporary footage and animation.  The story is a morality play, telling the struggle waged over the past six and half decades with the last act yet to be determined, of trying to find what is “the way beyond?”

Director's Statement

“In My Lifetime” takes on the complex realities of “the nuclear world”, and searches internationally for an answer to the question is there a Way Beyond?  This documentary is part wake up call, part challenge for people to engage with the issue of ridding the world of the most destructive weapon ever invented.

In February 2008, I began a journey to film and report on the story of the inner workings of the nuclear world.  There has been a re-emergence of the realization that a world with nuclear weapons, including a proliferation of fissile nuclear materials, is a very dangerous place.  Of course this realization has been known since the creation of the atomic bomb.  It continues to be a struggle which has not been resolved.

This is a very complex issue with many voices, speaking from many perspectives, representing the forces and entrenched institutions in the nuclear states, not to speak of the rest of the world’s nations some of them with nuclear power capable of producing their own fissile materials and now there is the danger of so called “non-state actors”, who want to get their hands on the nuclear fissile materials necessary to create nuclear weapons. Today the materials and technology to make nuclear weapons are more readily available than any government who possess them would like one to believe.

At this writing it there are new developments in this parallel nuclear world, with a new emergence of the debate as to what has to change and steps need to be taken to move away from nuclear weapons.  Since over the past year there definitely has been movement towards dealing with the reality, as a result this project has been able to record the changes taking place.

Following the screening, Robert Frye (the film's Director) will discuss the film with the audience.

For more information about the film, please visit the Nuclear World Project website.